with the night falling we are saying thank you
we are stopping on the bridges to bow from the railings
we are running out of the glass rooms
with our mouths full of food to look at the sky
and say thank you
we are standing by the water thanking it
standing by the windows looking out
in our directions
back from a series of hospitals back from a mugging
after funerals we are saying thank you
after the news of the dead
whether or not we knew them we are saying thank you
over telephones we are saying thank you
in doorways and in the backs of cars and in elevators
remembering wars and the police at the door
and the beatings on stairs we are saying thank you
in the banks we are saying thank you
in the faces of the officials and the rich
and of all who will never change
we go on saying thank you thank you
with the animals dying around us
our lost feelings we are saying thank you
with the forests falling faster than the minutes
of our lives we are saying thank you
with the words going out like cells of a brain
with the cities growing over us
we are saying thank you faster and faster
with nobody listening we are saying thank you
we are saying thank you and waving
dark though it is
photograph Rose Cook
MCMXIV, by Phillip Larkin
Those long uneven lines
Standing as patiently
As if they were stretched outside
The Oval or Villa Park,
The crowns of hats, the sun
On moustached archaic faces
Grinning as if it were all
An August Bank Holiday lark;
And the shut shops, the bleached
Established names on the sunblinds,
The farthings and sovereigns,
And dark-clothed children at play
Called after kings and queens,
The tin advertisements
For cocoa and twist, and the pubs
Wide open all day;
And the countryside not caring:
The place-names all hazed over
With flowering grasses, and fields
Shadowing Domesday lines
Under wheat’s restless silence;
The differently-dressed servants
With tiny rooms in huge houses,
The dust behind limousines;
Never such innocence,
Never before or since,
As changed itself to past
Without a word – the men
Leaving the gardens tidy,
The thousands of marriages,
Lasting a little while longer:
Never such innocence again.
Spring Poem For the Sake of Breathing
by James Masao Mitsui
The sky wants the water to turn grey,
but if I notice how waves
play with the clumps of yellow flags,
or the way turtles share logs,
or even try to understand a friend’s decision
to walk onto a glacier
and end her life—I will be ready
for any poems that have been waiting.
The horizon opens as I walk,
escorted by swans and Canada geese.
I need to stop backpedaling into the present.
In my old life people would straighten
the truth, but the river
flows in curves.
The names of my father and my mother
rest next to each other in Greenwood Cemetery.
The distance between me and the mountains
measures an uneven thought: I feel like an orphan.
An early moon is just a piece of change
in the softening sky.
Light is such an actress. Time to seek
Hopper’s wish to simply paint sunlight
on the wooden wall of a house. I am growing
older. Maru in Japanese means
will make it back home.
photo Rose Cook
Why I Wake Early
by Mary Oliver
Hello, sun in my face.
Hello, you who make the morning
and spread it over the fields
and into the faces of the tulips
and the nodding morning glories,
and into the windows of, even, the
miserable and crotchety–
best preacher that ever was,
dear star, that just happens
to be where you are in the universe
to keep us from ever-darkness,
to ease us with warm touching,
to hold us in the great hands of light–
good morning, good morning, good morning.
Watch, now, how I start the day
in happiness, in kindness.
photo Rose Cook
My right hand has written all the poems that I have composed.
My left hand has not written a single poem.
But my right hand does not think, “Left Hand, you are good for nothing.”
My right hand does not have a superiority complex.
That is why it is very happy.
My left hand does not have any complex at all.
In my two hands there is the kind of wisdom
called the wisdom of nondiscrimination.
One day I was hammering a nail and my right hand was not very accurate
and instead of pounding on the nail it pounded on my finger.
It put the hammer down and took care of the left hand
in a very tender way, as if it were taking care of itself.
It did not say, “Left Hand, you have to remember that
I have taken good care of you and you have to pay me back in the future.”
There was no such thinking. And my left hand did not say,
“Right Hand, you have done me a lot of harm—
give me that hammer, I want justice.”
My two hands know that they are members of one body;
they are in each other.
~ Thich Nhat Hanh
from his address to Congress entitled
Leading with Courage and Compassion,
Sept. 10th 2003