‘Fall’ a poem for the autumn equinox

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Fall by Edward Hirsch 

 

Fall, falling, fallen. That’s the way the season
Changes its tense in the long-haired maples
That dot the road; the veiny hand-shaped leaves
Redden on their branches (in a fiery competition
With the final remaining cardinals) and then
Begin to sidle and float through the air, at last
Settling into colorful layers carpeting the ground.
At twilight the light, too, is layered in the trees
In a season of odd, dusky congruences—a scarlet tanager
And the odor of burning leaves, a golden retriever
Loping down the center of a wide street and the sun
Setting behind smoke-filled trees in the distance,
A gap opening up in the treetops and a bruised cloud
Blamelessly filling the space with purples. Everything
Changes and moves in the split second between summer’s
Sprawling past and winter’s hard revision, one moment
Pulling out of the station according to schedule,
Another moment arriving on the next platform. It
Happens almost like clockwork: the leaves drift away
From their branches and gather slowly at our feet,
Sliding over our ankles, and the season begins moving
Around us even as its colorful weather moves us,
Even as it pulls us into its dusty, twilit pockets.
And every year there is a brief, startling moment
When we pause in the middle of a long walk home and
Suddenly feel something invisible and weightless
Touching our shoulders, sweeping down from the air:
It is the autumn wind pressing against our bodies;
It is the changing light of fall falling on us.

 

 

Photograph Rose Cook


One Breath by Lisa Kristine

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One Breath       Lisa Kristine

 

When my mother was dying

We made a agreement that when she passed

I would have to find her in new ways

 

She said,

 

You can find me in the wind

Or in the scent of a rose..

 

You will find me in the decisions you make…

 

Help each other

 

We are all children of the Gods

And we all share one language

And we all share one breath.

 

 

photograph Rose Cook

In Tall Grass- Carl Sandburg

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In Tall Grass – Carl Sandburg

 

photo Rose Cook

Announcing – ‘Sightings’ a new book of poems from Rose Cook

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a new, slim volume of poems: Sightings from Rose Cook

published by Grey Hen Press    £4 plus p&p    email info@greyhenpress.com

 

What some have said about the book:

Here are poems “bright as Lord Krishna’s hair’ that take great joy and delight in the wild-life of sea and shore. In an age of cynicism and depression over climate change these poems are a pure celebration of nature; to quote a line from her poem about building a stone wall, they are like “the heartings” that brim with “tumble and lustre”. A truly uplifting collection.

 Gill McEvoy (Rise pub Cinnamon Press)

 

There are poems here delightfully willing to see through the eyes of the creatures involved – whales, dogs, seals, fish, birds – while the human element is aware of itself as the inevitable record of vision.

And there are poems here which speak directly to the hidden in all of us; losses which remain on the inside brought to sight/light by Cook`s tender language and deft crafting.  

With the ‘white sheets’ on the washing line, Cook surrenders to sight, while that ‘single red shirt’ acts as a warning: Look out. And up, and everywhere, all the time, because it`s a good thing. Because it helps.

Sandra Tappenden (Speed pub Salt Modern Poets)

 

 

 

 

 

Red Onion, Cherries, Boiling Potatoes, Milk by Jane Hirshfield

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Red Onion, Cherries, Boiling Potatoes, Milk-
by Jane Hirshfield
Here is a soul, accepting nothing.
Obstinate as a small child
refusing tapioca, peaches, toast.
The cheeks are streaked, but dry.
The mouth is firmly closed in both directions.
Ask, if you like,
if it is merely sulking, or holding out for better.
The soup grows cold in the question.
The ice cream pools in its dish.
Not this, is all it knows. Not this.
As certain cut flowers refuse to drink in the vase.
And the heart, from its great distance, watches, helpless.
(photograph Rose Cook)

Thanks -WS Werwin

 

 

photograph Rose Cook

On the 100 years’ anniversary of the end of the First World War

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MCMXIV, by Phillip Larkin

Those long uneven lines
Standing as patiently
As if they were stretched outside
The Oval or Villa Park,
The crowns of hats, the sun
On moustached archaic faces
Grinning as if it were all
An August Bank Holiday lark;

And the shut shops, the bleached
Established names on the sunblinds,
The farthings and sovereigns,
And dark-clothed children at play
Called after kings and queens,
The tin advertisements
For cocoa and twist, and the pubs
Wide open all day;

And the countryside not caring:
The place-names all hazed over
With flowering grasses, and fields
Shadowing Domesday lines
Under wheat’s restless silence;
The differently-dressed servants
With tiny rooms in huge houses,
The dust behind limousines;

Never such innocence,
Never before or since,
As changed itself to past
Without a word – the men
Leaving the gardens tidy,
The thousands of marriages,
Lasting a little while longer:
Never such innocence again.